«fingerprint» of the interview. Methods of recording live dialogue
At present, interviews tend to be associated with many techniques, strategies and appointments. While it is difficult in itself to describe the interview more specifically than the sequence of questions and answers, in the given context this initially simple and schematic model is immediately becoming clear tone and atmosphere. The visual study considers one particular interview location: a conversation documented in the production of a printed publication.
Cover in open and folded form
An interview in modern periodicals and singles is counted as a converted verbal dialogue. The work identifies and classify plastic solutions by which it is possible to implement the fineness of oral interviews in another medium — to adapt space and conversational attitudes to a static environment.
The project also classified the following methods that are most commonly used in the design of the dialogue — and these techniques serve as sections of visual research.
The design is required by the format of the dialogue: the model consists of two adjacent blocks, the materials of which are continuously interacting.
The sections of the study become a line of colon elements, playing a navigational role in non-linear narrative.
The study was accompanied by interviews with a number of artists and designers whose publications are analysed in the main part of the book. Ten authors responded to seven selected questions raised during the collection of material and the formulation of the project hypothesis, related to the process of conducting the interview and the background of the interview.
Interviews with authors of the presentation break down the theoretical part following the case under discussion
Indexes selected at each turn of the catalogue replace column numbers
The examples used in the draft provided an opportunity to support the assumption that the selected printing techniques and work with the illustrative body were moving the «aurus» of the original interview into a mock-up: in particular, it was possible to «live» the experience of reading the material and to give the audience a sense of the mood and the properties of the location in which they had never been and to get to know better the characters of the text with which they had not met.
The study focused on «print» of an interview in a physical medium included 5 historical artifacts, 77 modern publications (journals, almanachs, complex bookworks, catalogues, compilations and brochures), 6 articles and 9 interviews with 10 authors.
