About My Work
I am a Character & Costume Designer with a strong interest in visual storytelling, character development, and costume details. I utilize Adobe Photoshop, Adobe Illustrator, and Procreate to develop concepts and create illustrations.
In addition to my creative work, I possess experience in project management and team coordination. In my current role, I lead two projects, which has honed my organizational skills, strengthened my ability to take ownership of decisions, and improved my capacity to manage multiple tasks simultaneously.
I value meticulous attention to detail, creative problem-solving, and a thoughtful approach to every project.
Tess of the d’Urbervilles
Educational Costume Design Project
This project explores costume design for the characters in Thomas Hardy’s novel Tess of the d’Urbervilles. The work includes costumes for Tess, Alec, Angel, and several supporting characters.
The aim was to develop distinct visual identities while keeping the characters connected through a shared visual world.
Building the Visual World
The design process began with an exploration of the characters' personalities, relationships, and backstories. References helped establish the visual direction, while sketches were used to explore silhouettes, fabrics, and costume details.Each character was approached individually, with the overall style guiding the final designs.
From Sketch to Fabric
The final designs integrate character, silhouette, and meticulously chosen details. In addition to the illustrations, I explored the practical aspects of costume design by selecting fabrics and sewing one of Tess’s dresses, complete with its headpiece.
This part of the project connected the drawn concept with the physical qualities of the costume.
Peer Gynt
Educational Costume Design Project
This project is based on the Yermolova Theatre production of Peer Gynt. I developed all costume designs independently, using historical references and traditional Norwegian clothing as a starting point.
The designs combine recognizable elements of Norwegian folk dress with a stylized, darker visual approach. Rough brushwork, expressive shapes, and carefully chosen accessories help create a distinct look for each character.
A Darker Visual Language
The designs take a darker, more expressive direction. Rough brushwork, strong contrasts, and simplified shapes help establish the atmosphere and distinguish the characters.The focus is on how costume, silhouette, and texture can support the mood of a scene and the personality of each figure.
A Cast of Contrasts
Each character possesses a distinct visual identity, shaped by their role in the narrative and the production’s atmosphere. The designs integrate a diverse range of silhouettes, textures, and costume details within a unified visual direction.
Peer’s costumes for the two acts offer a point of comparison, illustrating how the character is presented in different sections of the play.
The Girl
Personal Styling Project
This project explores a romantic, classic style, drawing inspiration from historical fashion. The goal was to create a cohesive wardrobe that reflects the individual’s appearance and personal aesthetic.The final submission includes costume sketches and complete outfit selections, integrating clothing, footwear, accessories, and hairstyles into polished looks.
